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Creative Audio Director vs. Sound-Operator

Fast facts

  • Internal authorship

  • Publishment

    • 2023
  • Anthology

    BVFT Filmton Guide

  • Organizational unit

  • Subjects

    • Film and television
    • Media economics/media management
    • Music, musicology in general
  • Publication format

    Anthology contribution (Article)

Quote

J. Lensing, “Creative Audio Director vs. Sound-Operator,” in BVFT Filmton Guide, 13th ed., Berlin: BVFT, 2023, pp. 77–81.

Content

bvft FILMTON GUIDE is published annually with a print run of 1500 copies

The yearbook of the Berufsvereinigung Filmton e.V. is usually presented at the Berlinale and then sent and distributed free of charge to all bvft members and over 500 interested parties from the fields of professional film and sound production throughout Germany.
Training centers, film and television productions, audio dealers, sound equipment distributors, the trade press, television stations, sound studios and post-production houses are in great demand for this compendium. Since its publication 13 years ago, the bvft FILMTON GUIDE has established itself as an important specialist medium in the film and television industry.

Article by Prof. Lensing in volume 13:

Film Sound Design

Sound operator vs. creative audio director

Training for film sound in Germany

Literature on film sound

Keywords

movie

sound

sounddesign

sound design

Notes and references

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