Jump to content

Meta-Storytelling und Untertexte durch intelligente Tongestaltung im Film

Fast facts

  • Internal authorship

  • Publishment

    • 2023
  • Anthology

    Sound Design

  • Organizational unit

  • Subjects

    • Film and television
    • Media Studies
    • Music, musicology in general
  • Publication format

    Anthology contribution (Article)

Quote

J. Lensing, “Meta-Storytelling und Untertexte durch intelligente Tongestaltung im Film,” in Sound Design, 1., München: et+k edition text + kritik, 2023, pp. 57–98.

Content

The volume "Sound Design" is dedicated to the topic of sound and noise in film from a musicology and media studies perspective and focuses on the interfaces and overlaps between the sound levels. The focus is on the narrative and aesthetic possibilities of controlling, interlocking and blurring the boundaries between sounds, music and language in film.

Just as art music, in the course of its development, sought a liaison with the supposedly opposite - the non-musical noise - sounds were linked in new ways with dialog and music as the other two levels of the soundtrack. Using the example of sound in silent films, musicalized noise in animated films, the interface between music and sound and meta-storytelling through sound, the four contributions in this volume examine where film music begins and sound design ends. Or is such a demarcation long outdated?

With contributions by Julia Heimerdinger, Saskia Jaszoltowski, Jörg Lensing and Claus Tieber.

Keywords

Movie

Music

Sound design

Notes and references

This site uses cookies to ensure the functionality of the website and to collect statistical data. You can object to the statistical collection via the data protection settings (opt-out).

Settings(Opens in a new tab)